EN UYIR NINNADHANDRO (PART 1) IBD

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à«àà«©à»ìà«©à»ê, à«ñà«¿à»ìà«ñà»ê, à«ñà«Öà»ìà«òà»ê à«Äà«©à»ì૱ à«Ü૿૱à»ü à«òà»é૟à»ì૟૿૱à»ìà«òà»ü૳à»ì, à«ñà»å૳૿૿à»ìà«ñ à«¿à»Çà«°à»ï૟à»ê ૪à»ïà«©à»ì૱ ૵૾૴à»ìà«òà»ìà«òà»êૻ૿૲à»ì, à«Äà«¿à»ìà«ñ૵૿à«ñ à«ëà«úà«°à»ìà«Üà»ìà«Ü૿૪à»ì ૪à»ï૰૾૟à»ì૟à«Öà»ìà«ò૳à»üà«òà»ìà«òà»üà««à»ì à«ë૳à»ì૳૾à«ò૾à«ñ à««à»åà«©à»ìà««à»êૻ૾૩ à««à«©à««à»ì ૪૟à»êà«ñà»ìà«ñ૵૳à»ì, à«ñ૳૿૰à»ìà««à«ñà«¿. à«Ü૿૱à»ü૵ૻà«ñ૿૲à»ç à«ñà«©à»ì ૪à»å૱à»ì૱à»ïà«°à»ê à«çà«´à«¿à»ìà«ñà»ü, à«Üà»ü૱à»ì૱à«ñà»ìà«ñ૾૰à»ì à«Æà«ñà»üà«òà»ìà«ò૿૵૿૟, à«àà«©à»ê૵૰૿૟૫à»üà««à»ì à«Æà«ñà»üà«Öà»ìà«òà«¿, à«ë૱à»ì૱૾૰૿૩à»ì à«àà«©à»ì૪à»êà«»à»üà««à»ì à«ëà«úà«°à««à»ü૟૿ૻ૾à«ñ, à«Äà«ñà»ìà«ñà«©à»ê à«çૻ૱à»ìà«òà»êà«Üà»ì à«Üà»Ç૱à»ì૱à«Öà»ìà«ò૳à»ì à«¿à«¿à«òà«´à»ìà«¿à»ìà«ñ૾૲à»üà««à»ì, à«à૵૱à»ì૱à»êà«»à»å૲à»ì૲૾૫à»ì à«ñà«©à»ìà«©à«òà«ñà»ìà«ñà»ç ૫૱à»êà«ñà»ìà«ñà»üà«òà»ìà«òà»è૳à»ì૳à»üà««à»ì à«åà«´à»ìà«ò૟૲à»ì૪à»ï૲ à«ëà«úà«°à»ìà«Üà»ìà«Üà«¿à«ò૳૱à»ì૱ à«çૻ૿à»ìà«ñ૿૰૫૾à«ò ૫૾૱૿, à«ñà«©à»ì à«ñà»è૴૿૲à»ì à«Æà«©à»ì૱à»êà«»à»ç à«òà«°à»üà«ñà»ìà«ñ૾à«òà«òà»ì à«òà»èà«úà»ì૟૵૩à»ì, à«àà«°à»üà«úà«©à»ì à«Üà»å૴૿ૻ૩à»ì. à«Äà«ñà«¿à«°à»ì૪૾૰૾à«ñ à«Üà»éà«´à»ì૿૿૲à»êૻ૿૲à»ì à«òà«úà»ìà«ò૳à»ì à«ò૲૿à»ìà«ñà»ü, à«òà«°à»üà«ñà»ìà«ñà»èà«°à»üà««à«¿à«ñà»ìà«ñà»ü, à«Æà«°à»ü૵૰à»ê à«Æà«°à»ü૵૰à»ì ૪૿૰૿૿à»ìà«ñà»ü ૫૱à»ì૱૵૰à»ì à«çૻ૲à»ì૪૾à«ò à««à»éà«Üà»ìà«Üà»üà«òà»ìà«òà»é૟ ૵૿૟૫à»ü૟૿ૻ૾à«ñà»ü à«Äà«©à»ì૱૳૵à»ü à«ò૾à«ñ૲૿૲à»ì à«òà«°à»êà«¿à»ìà«ñà»ü, à«Æà«°à»ü૵૰à»ì ૫૱à»ì૱૵૰૿૩à»ì à«àà«©à»ì૪૿૲à»ì à«ñ૿૳à»êà«ñà»ìà«ñ૵à»ç૳à»ê à«ñà«Öà»ìà«ò૳à»êà«Üà»ì à«Üà»ü૱à»ì૱૿ ૿૟૿à»ìà«ñ à«Üà»éà«´à»ìà«Üà»ìà«Üà«¿à«ò૳૾૲à»üà««à»ì, à«ñ૟à«Öà»ìà«ò૲à»ìà«ò૳૾૲à»üà««à»ì à«Äà«úà»ìà«ú૱à»ì૱ à«çà«©à»ì૩૲à»ìà«ò૳à»üà«òà»ìà«òà»ü à«ë૳à»ì૳૾ૻ૿૩à»üà««à»ì, à«ò૾à«ñ૲à»ì à«Äà«©à»ì૱ à«Æ૱à»ì૱à»ê à«òà»Ç૱à»ì૱૿૩૾૲à»ì à«ëૻ૿૰à»ìà«ò૳à»ì ૪૿à«úà»êà«òà»ìà«ò૪à»ì૪૟à»ì૟૿૰à»üà«òà»ìà«ò, à«àà«©à»êà«ñà»ìà«ñà»ü à«ñ૟à»êà«ò૳à»êà«»à»üà««à»ì à«ñà«òà«°à»ìà«ñà»ìà«ñà»ü à«ñà«Öà»ìà«ò૳à»ì ૵૾૴à»ì૵૿૩à»ì ૪à»èà«°à»ü૳à»ê à«à૟à»êà«»à»üà««à»ì ૪ૻà«úà«ñà»ìà«ñà«¿à«©à»ì à«Ü૾૰à«ñà»ìà«ñà»êà«»à»üà««à»ì, à«ò૾à«ñ૲૿૩à»ì ૪૲૵૿à«ñ ૪૰૿૫૾à«úà«Öà»ìà«ò૳à»êà«»à»üà««à»ì, ૿૟à»ì૪૿૩à»ì à«ñà«©à«¿à«ñà»ìà«ñà«©à»ìà««à»êà«»à»êà«»à»üà««à»ì, à«òà»ü૟à»üà««à»ì૪à«ñà»ìà«ñ૿૲à»ü૳à»ì૳ à«ë૱૵à»üà«ò૳૿૩à»ì à«çà«»à«òà»ìà«ò૵૿ૻ૲à»ìà«ò૳à»êà«»à»üà««à»ì à«Ä૟à»üà«ñà»ìà«ñà»üà«°à»êà«òà»ìà«òà»üà««à»ì à«ëà«úà«°à»ì૵à»üà«ò૳à»ê à«çà«»à«òà»ìà«òà»üà««à»ì ૿૵à»Çà«©à««à»ì. In a small nest of mother, father and younger sister, in a life like a clear stream, Tilirmati is a gentle minded person who does not undergo any kind of emotional struggles.áArunan Chezhiyan, who lost his parents at a young age, shunned everyone around him, turned away from everyone, couldnâÇÖt even feel the love of his loved ones, turned into an emotionless machine like the deep sea that hides all the natural disasters, and focused only on his career.áIn an unexpected situation, the eyes mingled, they met, they separated from each other and melted in love to such an extent that the other could not even breathe naturally, while one was immersed in the love of the other, faced with innumerable tribulations due to the intrigues and obstacles that happened around them, the lives were bound by the single thread of love, the essence of the journey to reach the meaning of their lives by breaking all the barriers, the essence of love.áA sensuous modernism that highlights the multidimensionality, uniqueness of friendship and the dynamics of relationships withinátheáfamily.